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Useful tips about editing, writing, and the publishing industry

4 Tips for Tolerating Imperfection as a Creative

4/13/2023

 
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I never dreamed I would be sharing about how I navigate perfectionism on a podcast, but when my fellow editor Lore invited me to speak about how I use my art practice to help me avoid getting bogged down and stuck, I took the leap and did it (my first one!). I hope some of my thoughts will help you, too.

​Funnily enough, my perfectionism almost did get the better of me, screaming at me to decline the invite, and when I got over that hurdle to please send an email to get out of it before you embarrass yourself…

Perfectionism pairs nicely with overwhelm and impostor syndrome, doesn’t it? 😭

Well, I’m happy to report that I didn’t listen to those inner voices and I did the hard thing anyway. As it turns out, that’s one of the key points I touched on: the irony of waiting until you’re ready before you do the thing when it’s in doing it that you become ready.

✅If you like listening more than reading, here’s the full podcast episode: Tolerating Imperfection (51 mins!). I’ll list some highlights below.
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✅ P.S. If you’re more overwhelmed than stuck in a rut with perfectionism, check out my top-performing blog post about Dealing with Overwhelm in the Writing Process.
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1. Become Aware of Your Particular Flavour of Perfectionism


Lore and I joked that we have “twin” perfectionisms because so many of our quirks align. But here’s the thing: perfectionistic tendencies can present in so many different ways, and the experience is not the same for everyone. It’s not a monolith.

It’s really helpful to discover what your perfectionism looks like in your life. Here are three questions to consider that will help you see where your perfectionism comes into play.

  • At the beginning of something, in the form of endless research and procrasti-learning?
  • ​In the middle, in the form of spinning your wheels and endless revisions?
  • Or at the end (like me) where it’s a fear of showing your work, being seen and possibly rejected? For writers this could be pressing send, starting to work with an editor, sending a short story to a journal, launching your book and marketing it…

For me, it’s consistently at the end because it’s connected to performance, rejection, being seen… Perhaps you can relate? 😆

Growing up, I did competitive gymnastics. I guess I developed a story about where self-worth comes from: I’m good at things when it’s just for me, but I freeze under pressure when people are watching and evaluating. Because their evaluation means something about my worth. 

That translated into a form of performance pressure in other areas, where I would dread pressing send on an edit because I wondered how it would be received. Or I would procrastinate on moving forward on my goals/plans out of fear that they wouldn’t work out. That feeling has faded over time as I’ve developed confidence and expertise, but it still shows up in sneaky ways.
I highly recommend Lore’s workshop to go deep on this: Creating Through Perfectionism Workshop.
​These reflective questions and more helped open my eyes to what my tendencies are, and where they might come from.

2. You Won’t “Overcome” Your Perfectionism (and That’s Okay)


It’s important to note that perfectionistic tendencies are not something you overcome once and for all, but you can become aware of when they happen, how and why they show up for you, and then find strategies for navigating and tolerating imperfection.

Tolerance is a great way to conceive of this, because you’re basically teaching your body how to have tolerance for imperfect things and not freak out. (Thanks to Lore for framing it like that in the podcast!) Since it’s impossible to control everything to the degree that would satisfy your nagging perfectionism, it’s important to learn to tolerate small doses of imperfection. This has been so useful in my life.

Here’s how.

I started a consistent art practice. Sometimes it’s a daily thing, and then it might swing back to a every few days, maybe once a week. But every collage I make, every 15 mins of making a random abstract pastel swatch, every page in my art journal helps me practice making and sitting with small decisions. The practice helps me slowly build up tolerance.

It helps me sit with the discomfort of not knowing what I’m doing (in a safe space) and to let meaning emerge before my very eyes as I’m creating (especially so when creating collages, abstract paintings, and art journaling). The perfectionist in me demands that I have a clearly defined goal, that I establish criteria for excellence, that I know precisely where I’m going and why.

I now love the process of letting meaning emerge from my art. Going in, I may have NO clue what I’m doing, but then end up creating something amazing I could have never really planned for. It’s those happy accidents that create the best art. And it’s in this process that I become more flexible, more willing to experiment and lean into iteration.

3. Start Small to Build Your Tolerance (12:22)


Making art every day has slowly helped me release my stranglehold of wanting to know everything before I start. I wanted to make art more regularly (instead of the one Commonplace Zine that would take me all year to make any progress on…). And so I started doing small things, in all sorts of mediums, just to make it part of my routine. Tacking my favourites to my wall helps me remember what I’ve done, showcasing to myself my accumulated efforts when I feel like I’m spiraling into doubts. Developing a consistent creative writing routine has a similar effect—accumulating scenes, characters, random bits of poetry, one page at a time. 

Lore and I both had the experience of prolonged ‘creative droughts.’ As kids, we were both really creative, but at some point we put away our creative supplies (in both cases paint) and just stopped. It was easier to not feel the anguish of not doing perfect work immediately and every time. This happens with a lot of creatives when they come up against rejection. And in my case, it shut me down for over a decade, so much so that I even forgot I was a creative person at all! 

Decouple Self-Worth from Your Output

If that’s you, know that you’re not alone and there are ways to navigate the fear of rejection (which is a skill writers especially need to hone). Rejection is just part of the process, and it’s important that you develop your own way of decoupling your self-worth from your output and reception. The prospect of a one-star review (because let’s be real, even the most famous writers get bad reviews) should not keep you from publishing your work. This can be especially tough for sensitive, introverted folks, and I’m absolutely in that category too.

With my art I’m collecting evidence that I’m slowly tolerating more and more imperfection. And you can too. Whatever you can do to inject more ‘process over product’ into your life, it’ll help. Why not give it a try.

4. Show the Messy Middle of Things


Oh boy, do I struggle with this! Who wants to be vulnerable and show that they’re not perfect at something? Me, that’s who. 😂 


It’s important for people to see your processes, how you do things. As an author, this could be talking about your writing process, what tools you use, what you’re struggling with, and sharing those experiences in a newsletter or blog. The perfectionistic tendency is to go into a writing or editing cave and only show the end result once you’ve tweaked and ‘perfected’ it to oblivion. And talk about it exactly one time and move on to the next shiny object. 

I’ve learned over the past year that it’s okay (and even good!) to show people how you do things and what you struggle with. I’m not the best at this, but I’ve come a loooong way. Just this month I restarted my newsletter, business blog, and creative blog.

The more I do these somewhat painful, vulnerable-to-me scary things, the easier it gets. 

You probably just rolled your eyes so hard at that. And I get it; it’s cliché, it’s obvious, it’s what everyone says. It also happens to be true, and you can harness it in a way that works for you.

What small things can you try that will help you build up that tolerance? 

Here are a few practical ideas:
  • Practice showing up on video (and never post, just to practice until you feel more comfortable).
  • Share some of your writing (or art) with a small group of people you trust (either an online community, beta readers, or whoever).
  • Develop a habit of sharing and not just capturing new ideas and flitting from one idea to the next. The process of expressing and sharing (a.k.a. publishing) is just as much a part of the creative life cycle as coming up with the idea and drafting the story. But define what success looks like for you.

Are you a perfectionist? Did something in particular resonate with you? Let me know in the comments! 👇
Read more:
  • How to Keep Readers From Putting Down Your Book
  • 6 Books To Help You Start a Writing Practice
  • Where to Look for Professional Editors​
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Hi! I'm Erika.
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I help sci-fi and fantasy authors publish unputdownable series. I specialize in copyediting and proofreading, and also provide custom story databases to help you keep track of all your world-building details. 
​

How to connect with me:
  • Join my waitlist (and be the first to hear about upcoming editing spots!)
  • Follow me on Instagram

4 Tips for Dealing with Overwhelm in the Writing Process

3/19/2019

 
 First off, feeling overwhelmed is actually part of the process! 🙄
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✨👉Get on my waitlist for first dibs on new editing spots. I'm currently booking out three months in advance; I'll send a reminder out every month, and when you're ready,  just reply to grab one.

​Being overwhelmed is not something to fight and get over and THEN start your writing. It’s a natural part of the writing process. Seeing the scope of your life or your expertise or whatever topic you feel called to write about may feel like a towering mountain stopping you in your tracks.
​That stream of internal chatter builds layer upon layer of limiting thoughts.

Oh my god, what have I gotten myself into? I can’t do this. Who am I to write about anything? It’s all been done before, who wants to read another memoir, another business or productivity guide, another mommy blog, another story of overcoming challenges . . .

The truth is, it has all been done before. And that’s been the case forever.

In The Hero with a Thousand Faces Joseph Campbell writes about the Hero’s Journey and how it’s essentially a universal process told again and again in every great story. The underlying structure may be the same—venturing out into the unknown, undergoing a series of personal transformations, then returning as a new person—but the actual story itself has infinite variety. Nobody will tell the story of dealing with a divorce the same way you will. Nobody will tell the story of dealing with depression the same way you will. No one will write about your work or your expertise quite like you will.

​Your life, its insights, and how you express yourself will infuse the story in a way that’s never quite been done before.
Feeling Like an Impostor

Rest assured that every writer feels that heavy sense of being an impostor or the terror of possibly never being able to write another word again after a creative drought. This is part of the process. The dual demons of impostor syndrome and writer’s block are stone gargoyles that frame the entrance to your unconscious, the deep recesses of your imagination.
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It’s not that successful people never feel fear or anxiety; it’s that they do what they do in spite of it. They push through those feelings and do it anyway. Amy Cuddy, a social psychologist out of Harvard, gave a viral TED Talk called “Fake It Until You Become It.” The idea is that body language can change how you think and feel about yourself (what she calls “postural feedback” or “a body-mind nudge”). So even though you may feel like an impostor or “not enough,” or “not really a writer,” if you adopt powerful poses, ones that expand rather than contract, for just 2 minutes you will feel and act more confidently. Try adopting some of these high-power poses before your next writing session.
Make Stress Your Friend

​Again, being overwhelmed is not something to deal with and vanquish before becoming a creative person. It is in fact putting your feet to the fire and giving you a springboard to launch yourself into the unknown. Kelly McGonigal explains in her amazing TED Talk “How to Make Stress Your Friend” that reframing stress as the body’s way of helping you deal with a challenge (instead of something bad that will eventually kill you) actually changes how your body responds to it. It’s only bad if you believe it is.

The same thing can be said for feeling overwhelmed. When you feel that knot in your stomach, the fog emanating from the top of your head and blurring your thoughts, the dread of not seeing a path to begin . . . just sit with it. Actually feel it. Feel each separate aspect of your overwhelm as it shows up in your body and mind. Sit and let it exist.

Feeling buried in material or suffocated by your loss of words, it’s all good. Say thanks, knowing that the key to unlocking your blocked energy is available to you and part of the writing process, too. Often going for a walk or doing something else allows your creative energy to simmer on the back-burner. All in good time.
Here are four ways I’ve found help me move through these moments.
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1. Stop Focusing on the Content
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You are the expert here. You know your content better than your readers. Avoid going down a rabbit hole of research, where you keep reading more and more books on your subject, perhaps as part of “market research.” Really what this is doing is pulling you out of doing your work and into “preparing to work.” Research can come later, but beware when research becomes resistance.
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Instead of your content, think about how you will present your content. Think about the form that will best serve the book you want to write. What would be a good way to begin your book? If it’s a memoir, where in the timeline could you begin? Think about whether your book will have parts, chapters (how long or short), or a pastiche style? Consider how to frame your narrative. What stories or studies could open and close a chapter? If you feel stuck, go back to your outline, if you have one, and shift away from the what of your content to how you will present the content to best reflect the theme or reason for writing.
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2. Build Scaffolding, Then Take it Out Later
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Often when we’re blocked or overwhelmed, we don’t allow ourselves to write. We get in our own way by self-critiquing while we try to write. The process of writing and revising are two separate tasks: they should never happen at the same time. First you write. Get your thoughts out of your head and on the page. Then you reflect and revise slightly before moving into the next wave of writing. Keep your revisions to a minimum while you’re writing your first draft. Once you have something to work with, the process of editing is like chiselling an artwork out of stone.

First you need the marble block. To get it, try scaffolding. The way I do this is by starting to write a letter to my ideal reader (or even myself). By the third or fourth sentence I’ll usually start my actual writing. Once you’ve written something, you typically notice that at some point you stop writing your scaffolding and start writing your work. Keep doing this every time you get stuck. Then delete all the scaffolding at the end once it’s served its purpose.

Another way of conceiving of scaffolding is to write what you’re about to write, write it, and then summarize what you just wrote. You can delete the signposting later. The idea is to gain momentum so that your internal censor can’t catch up to you.​

3. Remember That You Already Have Everything You Need
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You are probably drowning in content. You might have 15 journals filled margin to margin full of inspired musings scribbled in a burst of stream of consciousness that you can now barely read, but that may nonetheless be good starting content for a manuscript. Likewise, maybe you have technical documents or teaching materials from work you’ve done. Perhaps you have journal entries that helped you get through some difficult life event or trauma. You might have kept a diary since you were 12 and your basement is full of boxes.

These vessels of your writing contain amazing snapshots of some of the most inspiring and depressing moments of your life—the highest highs and the lowest, darkest lows. But these do not make a book.
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Rather, these writings can act as springboards to jog your memory, launch pads for framing your thoughts as stories, and flashpoints that readers can become immersed in. Journal entries on their own are ultimately for you; they hold parts of you in reserve that you can now call upon in the writing process. Let what speaks most compellingly emerge from the depths and write them into a form.
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4. Creativity Exists Within Constraints
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Constraint is another great way of dealing with overwhelm. Instead of attempting to sit down and “write my book,” you set your timer for 25 minutes and write the opening of Chapter 5. There’s no rule that says you have to write your book in order. With programs like Scrivener, you can start anywhere and easily move things around later. All these tricks have the same ultimate goal: to get you started and to gain momentum. There's lots of talk about "writing sprints" and word count in the writing community. One great resource is the ebook by Chris Fox, "5000 Words Per Hour," which suggests starting with 5-minute sprints.

Breaking things down into bite-sized morsels will help you break through blocks. By deciding to work on the first section of your Intro this morning, you ward off the paralysis that comes with infinite possibility.
Read more:
  • Tolerating imperfection and making perfectionism your superpower (podcast)
  • Top editing resources I use a fiction copyeditor
  • How and where to find professional editors
Picture
Hi! I'm Erika.
​
I help sci-fi and fantasy authors publish unputdownable series. I specialize in copyediting and proofreading, and also provide custom story databases to help you keep track of all your world-building details. 
​

How to connect with me:
  • Join my waitlist (and be the first to hear about upcoming editing spots!)
  • Follow me on Instagram​​

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    Hi, I'm Erika, a speculative fiction editor obsessed with the nitty-gritty of editing and self-publishing.

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